比起林奇一貫怪力亂神的超驗與神秘氣質真正打破類型敘事法則的則是永遠漂浮在狀況之外的各色人物玉女心經3正片每個配角都曾擺脫劇情線索的壓迫在自己的時空中成為掌控節(jié)奏的主角冒觀眾之大不韙地享有自己的追光燈這不正是一種蕩漾著pure humor的夢的體驗嗎在這樣的時刻里不問Is it future or is it past, just pure humor.
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Where we come from is what we are, but we choose everyday who we become.